Blog Posts - Paul Richards

The Brother Hood

8/29/2019

For the last five years all of the material I’ve produced has been available only direct from me at live events. I’ve written about this previously and you can get some insight into why I’ve been doing this by clicking here.

I never intended this to be controversial or as disregard for those who could not attend a live event. Between you and me, video was never my strong suit - I’m a live and in person kind of guy. This new approach allows me to share my magic in a way that I feel highlights it best. It also adds a bit more mystery to a business that ironically seems to have less and less.

Not everyone sees it that way.

I try not complain much about theft in magic. I've been a casualty more times than I care to remember. We all know it happens and it’s nearly impossible to police. I can’t think of a good reason to steal someone’s material – maybe there is one. However, I’m positive that not having easy access to it is NOT that reason.

Lately, I’ve seen a large number of my “live event only” items being sold online by a host of dodgy folks. I received an email recently from someone who purchased one and wanted me to replace the inferior copy. The idea that someone thinks I produced a shoddy product cuts way deep. Honestly, it hurts more than the theft of ideas and the loss of income.

Although, all of it combined feels like a solid punch to the stomach.

I assure you I have not authorized these items and I hope you won’t support them. It’s hard to address these issues more directly since I don’t want to shine a spotlight on thieves - which sadly often results in giving them more business.

So just a friendly reminder:

Caveat emptor.

And if you are unsure if you are about to buy a rip-off:

Emptor email me.

The Lightning Farmer

7/26/2019

I’m currently juggling a number of projects.

New product ideas.
A short lecture circuit.
An overseas event strategy.

A new blog post.

I’m failing miserably at all of them. It’s not the first time and it won’t be the last. The thing about doing any creative work is that you will hit walls. Sometimes lightning strikes but more often you have to walk out in a field under a cloudless blue sky holding a long metal rod and ask the gods to send a little electricity your way.

Sometimes it comes, sometimes it doesn’t - but every morning you have to walk out in that field.

In truth, it’s less about attracting those bolts of electricity and more about cultivating them. Farming lightning is no easy task. Here are a few things I try to remember when I’m standing in that field:

Stop thinking there’s a single answer. Problem may equal solution, solution, solution. The realization that there is no one answer to most problems can lift a lot of weight off your shoulders. You’re not looking for the Grail – you’re looking for a place to pour some wine. It might be a glass, a mug, a bowl, or your cupped hands.

Get out of your skull. If you have a tendency to stay in your brain when it comes to looking for a solution, it will get lonely in there. Get up and get physical. Take a walk, ride a bike, climb a hill, get in a boat, chop some wood, dig some dirt. Do something that shakes up the internal knot that can form when focusing on a problem.

Remember, you’ll forget. We’ve all had great ideas and then watched them dissolve into the ether when we tried to recreate them from memory. Albert Einstein said, “Paper is to write things down we need to remember. Our brains are used to think.” Keep a method for taking notes handy. Personally, I use OneNote a lot because it’s convenient - but I try to use physical paper when possible. I like the feel and free form nature of being able to go any direction on paper. Blank paper also never distracts me with a Facebook notification. Unfortunately, organizing multiple streams of information can be hard on paper. If you have an approach, I’m always open to learning.

Unlock some easter eggs. Video game and movie creators often hide secrets within their creations to unlock bonus material or tools for moving forward. I’ve discovered these easter eggs are every where if you look for them. The world is filled with all sorts of “secret” tools for a igniting your brain. You just have to know how to find them. Click here to find them in something you probably have collecting dust in a closet.

All of us need to generate some lightning from time to time and maybe this post will help you find some. As for me, the sun is shining and I’ve got a field to get back to.

Chuffed To Bits

6/26/2019

After countless requests to bring the Real Magic Roadshow to merry old England, I’m pleased to announce that the team is preparing to cross the pond!

This September, the Real Magic Roadshow joins forces once more to bring this incredible one day magic event to six cities across Great Britain! I’ll be joined once again by some of the best in the biz - Mark Mason, Chris Smith, Dirk Losander, and Christian Schenk. We’ll also have special guests in Edinburgh, Newcastle, Leeds, Bristol, the Midlands, and London - just to make it even merrier!

We continue to make these events insanely affordable and during our last tour we added even more value to you admission cost. Not only do pre-registered guests get the admission cost back in the form of a gift card for use with any of the dealers - but we’ve also added a great give away in which one lucky attendee will win a Mystery Prize Package valued at £200! One prize package will be given away in each of the six cities BUT you need to register now for your chance to win.

The dates and locations include:

So make yourself a brew and head to over to www.realmagicroadshow.com for all the details. Space is limited, so get cracking mate and please help spread the word. It’s going to be ledge!

I think I’m finally getting this English stuff down!

Eye Query

5/24/2019

This month’s post is more question than answer.

What does visual magic mean?

Now more than ever, I hear the phrase used by magicians. However most seem to apply it to an immense and often conflicting range of effects. It seems to be a goal for many magicians but they can not explain to me precisely what it is.

If I place a coin into my hand, close it, and then open it to reveal the coin is gone – is THAT visual magic? Or must the spectator see the moment the coin is vanishes?

When is that moment?

There is a rage in modern close up to create material that is “hyper-visual”. Coins travel across a table without being touched, face up cards transform without cover, a playing card is placed on a black abyss of a table only to vanish a moment later.

Is that your goal?

Is it strong magic?

I’m honestly trying to wrap my head around it.

Case in point, I’ve always had a certain fascination with color changes. I’ve spent countless hours over my life working on these changes. But, generally speaking, none of them ever gets the reaction of displaying a card to a spectator, placing that card face down into a spectator’s hand, and having them turn it back up to realize that the card has changed.

No other change even comes close to that moment of impact.

My gut reaction is that what many magicians envision as visual magic lacks a clear establishing of facts just prior to the magic moment. When all of the known factors are unquestionably established and agreed upon (the card is the Two of Spades) and then those facts are shown to be untrue (the card is the Queen of Hearts). To me, the current brand of hyper-visual magic robs the audience of the solid mental footing just before the magic moment. Without it, the moment is weakened or - worse - lost.

Of course, it could just be me. That’s why I’m posing the question.

So I ask you…

What is visual magic?

Is it strong magic?

Shock the Magi

4/25/2019

If you’ve spent more than an hour with me over the course of my lifetime there is a good chance I talked to you about Peter Gabriel. If you’ve been stuck in a car with me, there’s a great chance that you were forced to listen to more than one of my countless PG playlists. Let’s just say, I’m a fan. Recently, the American Academy of Achievement posted a spectacular interview with Gabriel on their "What It Takes" podcast. He shared not only insights into his career but invaluable thoughts on living a creative life and succeeding at it. My recommendation is to carve out an hour of your life and listen to the interview. But here are few takeaways that I think might be helpful to any magician:

As a young man Peter Gabriel tried his hand in any band that would have him. R&B, rock, soul, jazz - it didn’t matter as long as he could play and learn.

The recent passing of Johnny Thompson had many people referring to his deep and broad knowledge of all aspects of magic, stage craft, and show business. I’m struck by how many people in magic today choose a specific area and stay focused on it forever. Broadening your study feeds you in ways you can never foresee. Do it.

When it comes to talent, he feels we would all be amazed at what we are capable of if we really made an effort AND let enthusiasm be our compass.

We’ve all heard artists suggest that hard work and persistence often trumps “talent” but I love that Peter Gabriel adds enthusiasm to the equation. Being excited and eager about anything is the juice that feeds us – without it, talent is pretty useless.

It’s hard to imagine early Peter Gabriel without the outrageous costumes. When asked why he did it, he replied, “…to get rich and famous.”

He adds more to that answer - but it’s interesting to note that’s his “gut” response. In retrospect, one would look at those early images of him and assume that they are witnessing a true artist trying to express something deeply profound. But as it turns out, the initial motivation was more practical. He wanted the band to get noticed. There is no shame in including a desire for success in your plans as an artist.

When asked what he feels his core talent is he said, “I’m a hustler. I try to get things to happen and I work hard.”

That’s an amazingly honest answer. Among Gabriel’s long list of job titles you’ll find artist, musician, inventor, story teller, social activist, and film maker - but he sees himself first and foremost as a hustler. Being a successful artist takes endless enterprise, don’t let anyone tell you different.

His thoughts about being a “Weekend Rock-star” are also pretty helpful for anyone that lives completely insulated within the magic community (both online and in the real world). In short, “It’s a fun place to get your ego stroked but toxic if it’s your permanent abode.”

Other lessons you’ll encounter if you take the time to listen?

The value of listening to “elders” with no stake in the game, other than a successful outcome for everyone. That fact that sometimes, you’ll need to spend a long time surround by crap to get to your goal. And perhaps the most important one of all…

“There will be plenty of voices that will say you’re crap, you can’t do this, it will never work. Don’t be one of them...”

Click here to hear to hear the complete interview.

A Lesson in Wunder

3/12/2019

"Every time an old person dies, a library burns to the ground."
African Proverb

I’ve always thought that phrase is the saddest and most true notion about death. There’s been a lot of ash in the air lately. Magic has lost some giants recently and the books on those shelves are irreplaceable.

One of those libraries includes the legendary magic creator, Steve Dusheck.

Steve always seemed to be a bit of a will-o'-the-wisp. You knew he was out there but he clearly decided who would get close. Sadly, for a man who created some of the most innovative close up magic of the modern age, his name was not often heard in recent years. That is not to say his magic was forgotten. It was out there, but often with little credit. I suspect a large part of why he chose to keep his distance from much of the current magic scene.

I only met him a handful of times and we corresponded for a bit regarding some of his ideas. I certainly would not claim to know him. But my first encounter with him was one I will always remember.

As a kid in high school, I worked at a local magic shop. The owner loved magic but knew little about it. Often that meant when he placed orders he relied on the magic distributor to make suggestions as to what he should get. On one particularly large order, we received a massive quantity of new magic from Steve Dusheck.

This was long before information was so easily and openly shared. At most, you had a few magic magazines to reference current names in the business and even those were far and few between. There were no online outlets to ask for input, seek out reviews, or study videos. In fact, there was no “online”.

As I was young, I knew very little about Steve. But I knew enough to be excited when I opened that box. I quickly began cracking open the little plastic bags thrilled to discover what ingenious new discoveries awaited me.

The first trick contained a fake flower, a piece of string, and a well-known plastic appendage. It didn’t seem like much - and I had a hard time believing anyone could create a miracle with what I found in the instructions. I moved on to the next trick and sadly I felt a similar pang of disappointment. In fact, it happened again and again as I quickly moved from one trick to the next, consuming secrets and methods in seconds.

What was I missing? Clearly no one would want these items, let alone be fooled by them. I put the box aside with a bunch of others and moved on.

Fast forward a few weeks into the future. It’s the end of April and time for the prestigious 4F convention. As I said, I was a kid and certainly not an invited member of the event. But I lived not far from the revered Forks Hotel and I often went just t to get a glimpse of the legends of magic that rolled into town every Spring. Occasionally, I would even be lucky enough to find myself upstairs to see a bit of the real work in action. This was one such night.

I cautiously moved into one of the small rooms where they occasionally had a dealer or two set up. To my surprise, there was Steve Dusheck! I looked at his table and was a little shocked to see several of the tricks I had “wisely” placed aside. I pointed to the one with the fake flower and asked him if he would show it to me. Without hesitation, he said yes and then – with one hand - vanished the flower in a flash.

It looked amazing.

I pointed to another one. Again, it looked great. Then another and another. Each time he took a trick I discounted as being nothing of note – and he made it look like a miracle.

My ass – as they say - was being handed to me again and again. All the while, Steve was smiling and generously showing his creations to a kid who had no right to even be there.

I learned a lot in that instant. About how magic is so much more than the sum of its parts. How it’s easy to overlook something wonderful because it takes a bit more polish and thought. And how it costs nothing to be kind to someone who just wants to see a bit of magic.

That box I buried came back out a few days later. Those incredible Dusheck creations placed front and center.

Magic is endlessly lucky to be filled with so many clever and kind people. Many have incredible ideas to share. They may not always be the “shiniest” and you may not always know their names. But maybe that’s the time to pay the most attention.

Rest in peace Steve and thanks for the lesson.

Next!

2/8/2019

If you’ve had the chance to check out my current schedule then you already know that we're bringing the Real Magic Roadshow back to Europe in just a few short weeks. This tour has us visiting eight cities in six different countries - with the same amazing team and ridiculously low cost admission.

One of the benefits of these live events is that attendees get the chance to see some of the best new magic live and in person before making the decision if it’s right for them. Not a video demo - but live and under real world conditions.

In the real world, EVERY performance is an audition. You have to continually perform like you haven’t been hired yet - because every audience member has the power to step away and move on. A choice that can’t be hidden from the remainder of the audience - and could even give them the idea to do the same. Holding an audience under these conditions demands that you create a strong a compelling magical experience. You can’t clean up a poor performance in “post production”. All you have is the now. I can’t think of a more effective way to sharpen your skills and build your chops.

It remains my favorite way to showcase my material - and I know the rest of the team feels very much the same. This time out the Roadshow is visiting:

We plan on adding more Roadshow dates this coming fall so stay tuned - and I hope I get to audition for you somewhere along the road.

By the way, if you've attended any of our Real Magic Roadshow events,
we'd love to get your feedback. Just click here to give us a quick review.

Out of The Mouths of Babes

1/25/2019

This week I’ve been working hard to catch up after returning from the Columbus Magi-Fest. If you’re not familiar with this event, you should be. Running annually for nearly ninety years, Magi-Fest is the oldest magic convention in the United States. After coming close to a final curtain call several years ago - Josh Jay, Andi Gladwin, and Tim Moore stepped in to offer some much needed life support. They, along with an incredibly hard working staff, have successfully transformed this regional convention into one of the premiere magic gatherings on the planet.

One of the most interesting additions made by the new team, was the inclusion of youth scholarships and numerous youth oriented programs. This focus on young magicians has gradually helped add a renewed energy to every aspect of the event. It’s also ensured that the future of magic is being well directed and nurtured by some of the best and brightest in the business.

I am endlessly amazed at how talented and deeply committed to the craft these kids are. In fact, this year, one of my favorite convention moments came from a young man of about ten years old. He was obviously well informed and skilled. But - even more - he was incredibly adept sharing his thoughts about magic. At one point, I asked him what kind of magic he liked. He stopped for a moment and then thoughtfully replied, “What’s most important to me - is that it’s engaging.”

I mentioned the kid was about TEN years old, right?

Over the years I’ve heard seasoned magicians say they dislike all manner of tricks for all sorts of reasons - I hate card tricks, mentalism is boring, illusions are lame - it goes on and on. But somehow this young man already held a valuable perspective. He knew it’s never about the props or the genre. It’s about YOU as the magician creating a shared and memorable moment with the audience.

Albert Einstein once said, “Any fool can know, the point is to understand.” We all agree that the speed of acquiring knowledge and skill in magic is increasing every day. But having watched and listened to many of the young magicians this past weekend, it would appear that the same could be said of gaining understanding.

Keep an eye on these kids. Support them.

I assure you, they are going to build a dazzling future.

The Debrief

12/31/2018

As the year comes to a close many people look to the months ahead and their future plans. A worthy pursuit - but one that can be greatly improved with a sold debrief of the past.

I’m a big believer in the power of earnest and regular debriefings. A sincere and thoughtful examination of what worked and what didn’t – and why.

I do it for shows, projects, products, meetings – in fact I do it for just about every aspect of my life. You’ll find countless resources extolling the virtues of good planning but far fewer that mention the value of a critical examination of deeds done. Planning often involves educated guesses based on the experience of others. But debriefing gives you something unique: evidence and insight gleaned from your own real world experience. That’s powerful stuff if you’re willing to mine through it with an open and honest mind.

There are a few keys to successful debriefings. Here are just a few I find helpful:

Record when possible. This won’t apply to everything but it applies to more that you might think. It can be a huge help in meetings, performances, presentations and brainstorming sessions. It may sound odd but I often audio record myself when I’m working through an idea - I simply speak out loud as if I was trying to convey the info to someone else. Personally, I think audio recording offers more insight than a video. Listening back can often highlight issues that you might miss when you might otherwise be distracted by the visuals. Of course it goes without saying that this must be done openly and with permission when others are involved.

Take notes. Whether you're listening to a recording or just mentally replaying an event, start getting your impressions on paper. We are inundated with information and data every waking moment. Even the most “memorable” moments can get lost in the flow. Think of those notes as your own personal cloud storage. You’ll be glad you have it.

Reflect. Now that you have the notes and data, it’s time to reflect. Doug Sundheim of The Harvard Business Review suggests four key questions to a good debrief:

What were you trying to accomplish?
Where did you hit (or miss) your objectives?
What caused your results?
What should you start, stop, or continue doing?

Remember you are doing this for YOU and no one else. The dissection must be honest to be useful. If you can do that, you’ll be rewarded in ways you can’t begin to imagine. Acres of diamonds, indeed.

So Happy New Year one and all…
Here’s to a future filled with happiness and success.
And a past rich with lessons to learn from.

Ou L'artiste Au Travail

11/30/2018

The last few weeks I’ve been hard at work locking down details regarding my new releases for the coming year. It’s always a hectic time – but exciting too. The pressure of looming deadlines helps me focus and guarantees decisions must be made.

But deadlines also mean paths not taken.

When I’m working on new material I generally come up with several alternate handlings, presentations, and sometimes even substitute methods. Even after I tune, tune again, and fine tune – I find myself making changes over time. It’s one of the primary reasons I’m reluctant to make magic videos. They only capture a creation at a point in time.

And that’s the thing about creation - it’s never done.

Leonardo da Vinci said, “Art is never finished, only abandoned.” – and if you’ve ever seen his Oil & Water & Canvas Routines you know he’s a pretty savvy guy on such matters. I agree with Leo but, in doing so, I know that means…

every painting
every sculpture
every movie
every piece of music
every play
every drawing
every bit of magic

…is a snapshot of the art in that moment.

I know, equating my little tricks with art is a stretch. But Andy Warhol said "Art is what you can get away with." – so perhaps we can at least agree they are cousins.

There is no such thing as a finished product. Only products in development. Soon I’ll need to abandon the new products and set them off into the world. My hope is that others will find them and help take them to places I could not have imagined. The crossroads of art and commerce can be a dangerous place to stand and if my connecting art with products offends - then I’ll close with the wise words of the Scottish "scul?tor", George Wyllie.

"Art is like soup. There will be some vegetables you don't like but as long as you get some soup down you it doesn't matter."